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Robertson, Professor
Paul
Religion, Language, The Mozart Effect
http://www.musicmindspirit.org/
For thirty four years Professor Paul
Robertson performed throughout the world as leader of the
internationally renowned Medici String Quartet of which he
was a founder member. They recorded and broadcast prolifically
and appeared at International Festivals across four continents.
Their eminent Discography includes more than 50 recordings,
including a highly praised complete Beethoven Quartet cycle
for Nimbus records.
As a young quartet the Medici established
an unrivalled reputation in contemporary music, premiering
a host of new works. Many leading composers, including Elizabeth
Lutyens, John Taverner, Richard Rodney Bennet, Maxwell-Davis
etc., dedicated significant compositions to them. Early on
they were taken under the wing of the legendary pianist Sir
Clifford Curzon, with whom they performed much of the piano
quintet repertoire.
It was the extraordinary experience
of learning Elgar's Piano Quintet with Curzon that first sparked
Paul's interest in exploring different ways to share with
audiences the process of interpretation as well as the performance.
Paul's continuing interest in exploring the implicit meanings
of music has taken many forms over the years. For more than
twenty years he has worked alongside leading scientists to
explore the neurological and scientific basis of music. This
work reached a wide public with his highly acclaimed Channel
4 television series 'Music and the Mind'. Along with his busy
concert schedule, he is in constant international demand as
a speaker and lecturer at medical, scientific and educational
conferences as well as business colloquia.
He is a Cultural Leader in the World
Economic Forum, and is in regular conversation with business,
media and political leaders. He also became increasingly intrigued
by the applications of music to Education and Health. A series
of international medical and hospital presentations, including
extended series at the 'Hopital Cantonal'-Geneva and the prestigious
Chelsea and Westminster Hospital, U.K. has lead to a regular
International schedule of Talks and Presentations at leading
medical institutions and conferences.
In 2001 Paul was awarded a fellowship
by the National Endowment for Science Technology and the Arts
[NESTA] to explore the musical, mathematical and spiritual
foundations of Bach's work for unaccompanied violin, 'The
Marriage of Heaven and Earth'. He has recently returned from
presenting a programme of talks and lectures as Singapore's
first 'Artist in Residence' to inspire their 'Connected Creative,
Singapore' initiative.
In order to better understand non-notational
and improvisational techniques, he initiated immensely successful
musical collaborations with Classical Indian master, Wajahat
Khan, in his 'Sarod Quintet' (Koch records) and with the famous
jazz saxophonist Barbara Thompson, 'From Berlin to Broadway'
(Virgin records).
He also created a cross-over disc
with legendary record producer George Martin in his superlative
Air Studio. This included performances with guitarist, John
Williams, Johnny Dankworth and Jack Brymer amongst others.
His collaboration with Ashridge Management College consultant,
Hugh Pidgeon, created a unique programme entitled 'The Gift',
in which the members of the Quartet explored conflict resolution
within performance.
His ongoing project, 'The Pursuit
of Perfection' with Ashridge consultants Hugh Pidgeon and
Claudia Heimer, is proving very attractive to the corporate
world, a developing area of work Paul considers of particular
significance for our contemporary culture.
He was recently inaugurated as Visiting
Professor in Art and Leadership to the Copenhagen Business
School. Other current projects include 'Swansongs', a research
collaboration with Dr John Zeisel on the relationship between
musical structure and the neurophysiology of Alzheimer's syndrome,
and the development of The Young Musicians' World Peace Orchestra
(comprising young musicians from conflict-torn zones).The
Orchestra performed to great acclaim at the World Economic
Forum's summit in Salzburg in September 2002.
He is a Fellow of the Royal Society
of Arts, Visiting Professor to the Universities of both Kingston
and Bournemouth, acts as an advisor to a number of research
groups in universities worldwide, and has recently become
Advisor to the Music and Health section of the Masters in
Design for Health at the University of Florence.
He is also a member of the European
Cultural Parliament.
His election as Fellow of both the
Royal Society of Medicine and the Royal Institution is currently
pending.
Paul plays a rare Montagnana violin
from Venice dated 1726.
Professor Robertson writes: 'Music
is a universal experience and for centuries human beings have
engaged with it whilst wondering at its power. We can now
begin to appreciate how musical forms and structures precisely
mirror the underlying neurological forms and physiological
structures that create them. There is a new and burgeoning
interest in establishing a biological basis for musical experience.
Whilst such pure scientific exploration is facilitated by
non-intrusive brain mapping, it is driven by a far more powerful
urge to understand the mysteries of music. By the mapping
the structures of the Musical brain we are revealing the maps
of both Personal Identity and the Implicit Laws of Social
Relationship.'
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